Room Tone Register

Measure the floor, then read the band: under 30 dB(A) you can record anything; 30–40 dB(A) rules out quiet voice work; 40–50 dB(A) leaves only loud sources; above 50 dB(A) you change rooms.

Noise floor: the number that decides if a room is usable

checked 2026-09-16responsible Room Tone Register (a named register, not a person)

< 30 dB(A) anything 30 – 40 voice, dialogue 40 – 50 loud sources only 50 + dB(A) change rooms FLOOR BAND permitted work closes when the compressor starts. measure both states
Four bands. The band decides the work, not the room's appearance. Not to scale.

The four bands

Floor, dB(A)What it permitsWhat it forbidsTypical room
< 30Close-mic'd voice, quiet Foley, classicalNothing, within reasonPurpose-built studio, isolated booth
30 – 40Dialogue at normal projection, most voice-overWhispered dialogue, quiet acoustic instrumentsGood office after hours, treated room with HVAC off
40 – 50Loud dialogue, singing, percussive sourcesAny quiet-source recordingCity apartment, untreated room
50 +Nothing without heavy processingEverything that mattersStreet-facing room, plant room, workshop

The bands are deliberately coarse. A two-decibel difference inside a band does not change the decision, and pretending otherwise is how people end up buying foam instead of moving the shoot.

Weighting and time constant

A noise floor quoted without its weighting and time constant is not a measurement. dB(A) is the usual choice because it approximates the ear's sensitivity at low levels; dB(C) is occasionally used when the low end is the complaint, and a 60 Hz hum reads far higher on C than on A. Slow averaging is standard for a floor because fast averaging chases the meter needle rather than the room.

This is the single most common way two people get different numbers for the same room: one is on A and one is on C, or one is on fast. See the note on two meters disagreeing 4.5 dB apart.

What moves the number

A floor measured with the HVAC off is not the floor you will record in. Measure both states and log them separately; the difference is the decision you actually have to make.

Near kin, and the misread that costs the most

The near kin are dynamic range, self-noise and background level. Dynamic range is the span between the floor and the loudest usable signal, so a low floor is only half of it. Self-noise belongs to the microphone, not the room, and it sets a second floor you cannot treat. Background level is the same measurement taken with the events included.

TermWhat it isHow it differs from a noise floor
Dynamic rangeSpan from floor to loudest usableDepends on the source as well as the room
Self-noiseNoise generated by the microphoneBelongs to the equipment, not the room
Background levelLevel with events includedChanges with what is happening outside
LeqEnergy-equivalent level over a windowA floor figure is one case of this, not the definition

The common misread is quoting an unweighted or unstated number. A floor of '42' with no weighting, no averaging and no duration is not a measurement; it is a reading. Two people can each hold a defensible figure 4.5 dB apart for the same room and both be right, which is why the register refuses to publish a floor without its conditions.

Source log

  1. 01NIOSH Sound Level Meter app (CDC)supports the method for measuring room noise with a calibrated meter
  2. 02Decibels, UNSW Music Acousticssupports the logarithmic addition of uncorrelated levels used in the worked example
  3. 03ISO 3382-2: Measurement of room acoustic parameters, ordinary roomssupports the requirement that a room acoustic measurement state its method and conditions

Each line points at one specific document. No line is a home page.

Leave this page Close this page if your question is what to record rather than whether the room is quiet enough — that is the room tone page.